“Hypnotic live performance.“
- Gothamist (NYC)
“Such a rich, evocative space, I wanted to get lost in it. I stayed for three hours but wish I’d been there for all six.”
— American Theatre Magazine
“The moment is a state of grace.”
— La Voix du Nord (Paris)
“You are not likely to see anything like it. And if you do you may very well be dreaming.”
— NYTheatre.com
“Centered, Zen deliberateness.”
— The Brooklyn Rail
“Takes the concert experience and turns it into something private and luxe.”
— TimeOut NY Magazine
“The hallmark of this company is a tight integration of style and substance.”
— The New York Times
“Equal parts installation art and surreal montage.“
— New York Magazine
“Austere works that nevertheless are hip and rock ‘n’ roll in their aesthetic.”
— Contemporary Theatre Review (London)
“A sleek translation of the unconscious mind into a postmodern theatrical experience.”
— NYTheatre.com
“Ravishing, cinematic video.”
— The New York Times
“An intensity that is strange at first but becomes magnetic.”
— The Guardian (London)
“Seamless and gorgeous.”
— The Stranger (Seattle)
“The video sprawled and soared and dazzled.”
— The New York Times
“Temporary Distortion just keep elevating their game. You could call that game… multimedia ravishment.”
— TimeOut NY Magazine
“Visually ingenious.”
— The New York Times
“They’ve sublimed into holograms in front of us.”
— TimeOut New York Magazine
“The feel of a peep-show with a great electroacoustic score.”
— Ouest-France (Paris)
“A captivating, hypnotic, and mesmerizing work of art.”
— NYTheatre.com
“An absorbing refraction of the contemporary cultural moment.”
— Theatre Journal
“Quietly explodes some of the conventional ideas of what theatre is, and it’s staggering.”
— Show Showdown
“There’s something immediately confronting about the work of Temporary Distortion.”
— TimeOff (Brisbane, Australia)
“Swathed in black leather and oozing cool… Temporary Distortion has articulated a bold vision of the zeitgeist.”
— Theatre Journal
“Characteristic of Temporary Distortion’s work is the extremely close integration of technology and live performance.”
— The Courier Mail (Australia)
“Stands out as an experimental form of intimate theater for our time.”
— Le Monde (Paris)